Many famous writers have used the people in their lives as grist for the authorial mill. The spicy roman à clef has long been a frequent visitor to bookshop shelves. Even more common are realistic novels based on the lives of actual people, but where no deliberate effort is made to link with the objects of inspiration. In other words, the real people are convenient sources of material, yet too obscure to be of interest to the reading public. The writer’s own life may also end up on the page. If his own experiences predominate, a struggle with illness, say, we call these works autobiographical novels, but in many cases, the lives of people around the writer are also included and the situation becomes less clear-cut.
Opinions vary as to the merits of drawing on real people for inspiration. The competing view Continue reading